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The Recording Engineer's Handbook

The Recording Engineer's Handbook

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Author: Bobby Owsinski
Publisher: Artistpro
Category: Book

List Price: $34.95
Buy New: $21.83
You Save: $13.12 (38%)



New (31) Used (7) Collectible (1) from $21.83

Rating: 4.5 out of 5 stars 8 reviews
Sales Rank: 29083

Media: Paperback
Edition: 1
Number Of Items: 1
Pages: 384
Shipping Weight (lbs): 2.4
Dimensions (in): 10.9 x 8.5 x 1.1

ISBN: 1932929002
Dewey Decimal Number: 621.3893
UPC: 082039629001
EAN: 9781932929003
ASIN: 1932929002

Publication Date: November 1, 2004
Availability: Usually ships in 1-2 business days

Similar Items:

  • The Mixing Engineer's Handbook, Second Edition
  • Mastering Audio, Second Edition: The art and the science
  • The Mastering Engineer's Handbook, Second Edition: The Audio Mastering Handbook
  • Modern Recording Techniques, Sixth Edition
  • Critical Listening Skills for Audio Professionals

Editorial Reviews:

Product Description
Working as a recording engineer presents challenges from every direction of your project. From using microphones to deciding on EQ settings, choosing outboard gear to understanding how, when and why to process your signal, the seemingly never-ending choices can be very confusing. Professional Audio's bestselling author Bobby Owsinski (The Mixing Engineer's Handbook, The Mastering Engineer's Handbook) takes you into the tracking process for all manner of instruments and vocals-- providing you with the knowledge and skill to make sense of the many choices you have in any given project. From acoustic to electronic instruments, mic placement to EQ settings, everything you need to know to capture professionally recorded audio tracks is in this guide.


Customer Reviews:   Read 3 more reviews...

5 out of 5 stars Amazing Help for the NEWB   October 14, 2008
This book is amazing on so many fronts. If you are just starting out in the world of music recording this is a must have. You will learn so much on so many different fronts. It starts you out at the very beginning and takes you through every aspect of recording.

Even if you are fairly experienced but have never had much contact with other engineers, you'll learn an IMMENSE amount of stuff from this book. I've been recording in my bedroom for four years very unprofessionally, have even taken a college class in recording (which was mostly just the professor spending each class name dropping... so not very useful) and this book taught me more in the past two months than I seem to have learned in the past 4.

It has really useful section on the most commonly used microphone models and preamps, which helped me to get a foothold on industry standards as well as common mic/preamp applications. It has a huge section with how-to guides for micing a large variety of instruments. And the interview section is great if you pay any attention to who records the albums you love. Getting first hand perspective on the approaches of some of the industry's top professionals is pretty invaluable.

If you buy this I HIGHLY recommend also buying the Mixing Engineers Handbook. It's just as useful and accessible and will help turn your now well recorded songs in to amazingly mixed songs with the same simple approach and suggestions for common problems.



5 out of 5 stars Interviews: the most important chapter   January 21, 2008
The inteviews chapter give us an explanation on how top recording engineers produced in the past the kind of sound we are trying to create nowadays.


5 out of 5 stars Cohesive and Multi-Faceted   December 13, 2007
 1 out of 1 found this review helpful

I have been engineering recordings for about 5 years and felt this was perfect for someone who already knows the basics about recording and is ready to get into the good stuff. The suggested micing techniques were very helpful and complete and are an excellent resource for when you are not quite getting the sound you want when placing your microphones on a source. The book also recommends which microphone to choose for each application and sometimes gives a reasoning, for instance, why you should pick a ribbon mic over a dynamic in the situation at hand. These tips are very relevant and help you to make better micing decisions on your own in the future. The best feature of this book is that it references many talented and experienced engineers such as Steve Albini and Chuck Ainlay; their helpful side-notes and tips really put these suggestions into perspective and help you to think about recording in the proper manner. I really enjoyed the section written by the "Drum Doctor" because tuning drums and having a kit sound excellent is the most important step in getting a solid drum recording. Overall i would highly recommend this book to anyone who feels they want to broaden the scope of their knowledge about recording or wants to get some new ideas about tracking.


5 out of 5 stars A great guide for a soon-to-be recording engineer   November 26, 2007
This book is the best on the market (as far as I know) and you don't need to be an expert to start using it. All you need to have is the interest for recording music/audio. It's a recommended purchase for every soon-to-be (wannabe?) recording engineer!


4 out of 5 stars A Great reference and a good starting point   March 15, 2007
 3 out of 3 found this review helpful

This is a very useful starting point when recording a new instrument for the first time. It gives you in depth details about micing positions with clear pictures to support what the author is writing about.
The author also explains in a brief way the use of everyday studio gear wich along with all the recording techniques reviewed in the other chapters makes this book a must have in any studio, for beginners as a great starting point and for seasoned pros as an alternative and sometimes a challenge to the way they have captured audio and worked in the studio their whole life.


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