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In Light of India

In Light of India

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Author: Octavio Paz
Publisher: Harvest Books
Category: Book

List Price: $15.00
Buy New: $4.94
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New (24) Used (18) from $2.25

Rating: 4.5 out of 5 stars 14 reviews
Sales Rank: 307751

Media: Paperback
Edition: 1
Number Of Items: 1
Pages: 224
Shipping Weight (lbs): 0.2
Dimensions (in): 7.8 x 5.4 x 0.6

ISBN: 0156005786
Dewey Decimal Number: 954
EAN: 9780156005784
ASIN: 0156005786

Publication Date: April 1, 1998
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Crisp and clean copy.

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Editorial Reviews:

Amazon.com Review
Uncertainty stalks Octavio Paz. In Light of India is Paz's return to issues addressed in his poems of India that were inspired by his residence there three decades earlier. The paradoxes of a troubled nation are persistent, and Paz revisits the unfathomable facets of India with an eye on his Mexican homeland. Beneath the sensuous veneer of modern India lies a complex lattice of religious tendrils that reach into and influence Indian history, society, literature, and art. Paz follows these tendrils as well as anyone can, piecing together a nation of beauty, profundity, and enigma. Profundity aside, if Paz were writing about dust particles, he'd be worth reading.

Product Description
“One of the most brilliant and original essayists in any language” (Washington Post Book World) reflects on the six years he spent in India as Mexican ambassador-and reveals how the people and culture of that extraordinary land changed his life. Translated by Eliot Weinberger.



Customer Reviews:   Read 9 more reviews...

5 out of 5 stars Big Ideas in a Little Book   March 4, 2008
Octavio Paz is clearly a deep thinker. His essays tend to be very philosophical, although for the most part, they aren't difficult to understand. His writing ranges widely. His comparison of Indian and Mexican food is fascinating. His discussion of the caste system and it's origins is enlightening. His examples and discussion of ancient Sanskrit poetry will leave you hungry for more.

Paz looks beneath the surface of everything he writes about. You get a very strong sense of a man who is an original thinker. No supericial skimming or surface descriptions here.

I found his Mexican background particularly beneficial. It gives him a different angle from that of an Anglo. This a very thought-full book.



5 out of 5 stars Lyrical remembrance of time spent in India by a poet   July 8, 2007
 1 out of 1 found this review helpful

This book is a lyrical remembrance of the time spent in India by Octavio Paz, a celebrated poet, who served briefly as an attache in the Mexican embassy in India. It is a fascinating exposition of the country's landscape, history and the rich tapestry of culture. In spite of being caught between two worlds, his native Mexico and India, which assumes mythic proportions, he notices such a plethora of details.

"The Antipodes of Coming and Going" is a poetic journal of his days in India. He notices with such clarity the extraordinary richness of sight, sound, smells and effect of India. "Religions, Castes, Language" gives an overview of India but has some factual errors. The occassional factual errors like "The British Empire, for the first time in Indian history, united all the people under its domain, something their predecessors-the Maurya, the Guptas, the Mughals-could never achieve" doesn't bother at all.

"A Project of Nationhood" is where Paz compares Islamic,Hindu and Western civilization in their relation to India. This and the last section "The Full and the Empty" where he celebrates the soul of India - these two sections reveal the genius of Paz.

His last question "In what time do we live"? is ever relevant in India.



3 out of 5 stars In search of India -- through the lens of a Mexican poet   July 31, 2003
This book is an odd medley of genres and has a distinct "entre deux mondes" quality. It briefly starts as a travelogue, as Octavio Paz, describes his sea journey during the 1950s from his diplomatic posting at the Mexican Embassy in Paris to his first assignment in India where he would later return, in the 1960s, as Mexican ambassador. In many ways, I enjoyed these thirty odd first pages, replete with images from the crossing of the Suez Canal to the docks of Bombay and over rail tracks to Delhi, much more than the rest of the book.

The bulk of the book is an impressionistic, enigmatic, and often confusing essay on Indian society, religion, castes, languages,and cosmology. Many of these difficult topics are treated too superficially for this book to be a serious historical or sociological analysis of India. While not the central thrust of this book, comparisons between Indian and Mexican history become inevitable as, for example, when Paz considers different outcomes from what he sees as a common experience in Mexico and India of an indigenous polytheistic culture colliding with an invading monotheistic faith. Or when he analyzes the impact of what he sees as two secular institutions supposedly brought to India and Mexico by colonizing forces - the civil service and army. It is rare for two important, but spatially and historically distant civilizations, to be analyzed next to each other in such a personal way. The reader will not escape a sense of forced comparisons by the author of very different historical and social settings.

But the author does not claim rigor in his analysis of India, acknowledging that "this is not a systematic study, but a more or less ordered gathering of the reflections, impressions, and objections that India provoked in me." For the reader who can view these impressions of India from a Mexican diplomat and Nobel laureate in literature on a less obvious level, this self-conscious disavowal of profound insight into India makes the book intriguing. The author may shed less light on India than he does on his native Mexico,or Latin America, more generally. Perhaps, this is his real intention.

The final pages return to the biographical style at the beginning of the book, giving glimpses into how Octavio Paz historically situates demands for political reforms which were emerging in Mexico in the late 1960s, from his vantage point in India. Ultimately, these political convulsions in Mexico, notably the student riots, culminate in his resignation as a representative of the Mexican Government in India. "I decided I could no longer represent a government that was operating in a manner so clearly opposite to my way of thinking."

Readers of his classic on Mexican society "The Labyrinth of Solitude" will sense echoes in "Light of India" which Octavio Paz concludes with a short and tender poetic swan song to his diplomatic assignment in India, invoking the Hindu deities Shiva and Parvati.


5 out of 5 stars A poetic Journey   July 8, 2001
 3 out of 4 found this review helpful

Octavio Paz has recorded his experience in India in a great way. I simply call it poetic. Because of the great distance between Mexcio and India, there has been very little interaction between these countries. The linguistic difference has not helped either. Therfore a book by Paz on India from his eyes as a Mexcican, is welcomme addition to the literature. It is definitley a book to have and cherish.


5 out of 5 stars A book that bridges continents   December 21, 2000
 20 out of 20 found this review helpful

"In Light of India" is a book-length, multi-part essay in which Mexican poet Octavio Paz discusses the complex political, religious, and artistic worlds of India. Paz, who had served as his nation's ambassador to India, writes with insight and obvious affection for his subject.

Paz is a masterful prose writer. His style is smooth and clear, and full of sage-like statements. Consider this observation: "Dialogue between a poet and a saint is difficult because a poet, before speaking, must hear others--that is to say, the language, which belongs to everyone and to no one. A saint speaks with God or with himself, two forms of silence" (p. 118).

Paz covers many topics: India's ancient history, the conflict between Hindus and Muslims, the caste system, classical Sanskrit poetry, and more. But, as he notes, the book is not meant to be an exhaustive scholarly treatise. Rather, it is a very personal view of India: "this book. . . is the child not of knowledge but of love" (33). And as such, the book is rich in interesting anecdotes and fascinating insights, from Paz' account of his meeting with the guru Mother Ananda Mai to his reflection on the influence of Rabindranath Tagore upon Pablo Neruda.

"In Light of India" is a marvelous companion volume to Salman Rushdie's "The Jaguar Smile": in that volume of essays, a writer from the Indian subcontinent reflects upon a Latin American country (the reverse of Paz' project). But on its own, Paz' book is a wonderful volume both for fans of Latin American literature and for those interested in India.

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